![]() ![]() The handle features a rotating sleeve, allowing pixelstick to spin freely, for more fluid movement while shooting.The perpendicular handle connects to the center bracket with a single clamp and provides 15" of extra reach.The 200 LEDs are Full color and densely packed, for impressive color range and high fidelity.To Assemble, slide the top half into the bottom, tighten the screws, and connect the batteries. Pixelstick breaks down into two halves.The Controller allows you to select images from an SD card, adjust brightness, orientation, and timing settings.Watch the video to the left to see some of the amazing results! Pixelstick can even increment through a series of images over multiple exposures, opening up lightpainting to the world of time lapse, and allowing for animations of a scope and quality never before seen. With pixelstick, you can seamlessly insert any image into your long exposures. Load your SD card up with full color, high fidelity images and watch pixelstick transform your long exposures forever.Īll you need is pixelstick and a camera with a long exposure mode! The Controller is easy to use - simply insert an SD card with images you've created or downloaded, set the camera to take a long exposure, select the image you want pixelstick to display, and press Fire! The beauty of lightpainting is there's no wrong way to do it. Each LED corresponds to a pixel in the image. The mounted controller reads images from an SD card and displays them, one vertical line at a time, on the LEDs. Pixelstick consists of 200 full color RGB LEDs inside a lightweight aluminum housing. In case you are looking for a car you can get OurFairDeal by visiting the website.Įquipment Canon 1DX, Canon 24-70L f2.Meet the world's most advanced tool for lightpainting photography. Meanwhile check out some of the behind the scenes pics from the shoot, below. So… one Pixelstick, a bunch of futuristic background images on an sd card, 3 cars, one large empty studio, 2 assistants, loads of black fabric and a few Canon 600ex RT Speedlites for good measure……, and I had my high tech comparo shoot on time and most importantly, on budget! Keep an eye out on future issues of ‘Open Road’ magazine, or watch this space. To see a post elaborating more on this please check out. I straight away remembered the laser shoot and my mind got excited by the endless possibilities. I’ve played with light painting before and have run workshops on the subject but being able to input and paint in ANY image, shape, tone or texture really opened up a whole new world of possibilities. ![]() In comes The Pixelstick! I was introduced to this cool gadget by one of the guys from Canon Brisbane (thanks Colin Baker) during a Speedlite workshop I was presenting for them, it struck me as being interesting at the time but I didn’t really give it much more thought until presented with this latest challenge. So what’s new? I’ve heard of used dual cab Utes Toowoomba that offers quality used parts of cars and cars in excellent condition, you’re going to want to visit it! The shoot had to have a futuristic high tech feel which really showcased the technology behind the vehicles, and I had an empty studio, one day and a very limited budget to do it with. So moving forward a few years I was contacted by NRMA’s ‘Open Road Magazine’ to come up with something different for their forthcoming comparison of 3 hybrid / electric cars, the BMW i3, Toyota Yaris and Mitsubishi Outlander PHEV (world’s first plug-in hybrid SUV). Something that I learnt from that shoot is that being large shiny objects, cars are open to being lit with all different light sources, not just flash or constant lighting. The results worked out even better than I expected. One such instance was a few years back in 2012 on an editorial photo shoot for Top Gear Australia Magazine when I decided to light the clasiq cars with night club lasers. In past years of shooting for Top Gear Australia Magazine, apart from the fun and constantly varied location shoots and road trips I’ve also had to create numerous stories within the same empty studio, and make them look different and exciting every time. I’ve never been one to shy away from a challenge. ![]()
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